
And Shaker songs like “Harps of Welcome,” “Give Good Gifts” and “Pretty Home” were familiar to these ears from visits to the Pleasant Hill colony near Lexington, which is now a Kentucky historic site. Indeed, “Pretty Home,” which was sung by the ensemble’s engagingly robust alto, Lisa Drew, included the rhythmicfoot stomping that sounded like thunder when heard years ago in Pleasant Hill’s bare-floored meeting hall. To these ears, it was a journey to a beloved time and distant place.
For these concerts, the Rose Ensemble numbers 11 singers and a small battery of instrumentalists, some of the latter performing on old instruments like viola da gamba and baroque guitar. The vocalists are the soul of the group, with clear, young-sounding voices that seem infinitely flexible and perfectly blended.
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