Workshopping with Ben Bagby

July 10, 2010

bagby portrait2 Workshopping with Ben Bagby

Ben Bagby

What a treat is in store for the women of The Rose Ensemble.  This week we will be working with one of the most revered men of medieval performance practice, Benjamin Bagby and he guides us, instructs us and coaches us on medieval repertoire of Spain and Hildegaard Von Bingin in preparation for our upcoming concerts in the Fall.

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Hildegard von Bingen: Canticles of EcstasyHildegard von Bingen: Canticles of EcstasyNo Description Available
No Track Information Available
Media Type: CD
Artist: HILDEGARD OF BINGEN
Title: CANTICLES OF ECSTASY
Street Release Date: 12/08/1994
Hildegard von Bingen: Voice of the BloodHildegard von Bingen: Voice of the BloodNo Description Available
No Track Information Available
Media Type: CD
Artist: HILDEGARD OF BINGEN
Title: VOICE OF THE BLOOD
Street Release Date: 12/05/1995
Hildegard von Bingen: Canticles of EcstasyHildegard von Bingen: Canticles of EcstasyNo Description Available
No Track Information Available
Media Type: CD
Artist: HILDEGARD OF BINGEN
Title: CANTICLES OF ECSTASY
Street Release Date: 12/08/1994
A to Z of Classical MusicA to Z of Classical MusicA-Z of Classical Music is a remarkable 932-page, illustrated book, detailing the lives of all the great composers as well as many less known, but equa… Read More >

It’s Operetta Tonight!

July 4, 2010

Operetta surprised 240x300 Its Operetta Tonight!

Plymouth Summer Music Series

Well maybe not tonight (depending on when you’re reading this) but on Tuesday evening, July 6th.  I will be joined by local Twin Cities luminaries Maria Jette, Jim Bohn and Vern Sutton with Sonja Thompson on the piano as we present an evening of light operetta favorites.

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What a Great Show Last Night…

May 15, 2010

Glorious Revolution Baroque semi-staged a production of Dido & Aeneas last night to a sold out crowd in a small and intimate theater space in downtown St. Paul.  No sets, no fancy lights, but a wonderful small early music orchestra and very talented singers.

This was my first crack at The Sorceress and I loved the part.  How often can you stand up there with a custom made staff, a green velvet cape, a wild wig (not to mention some witchy minions) and take total command?  The intimacy of the space gave me the artistic freedom to interact with the audience and ‘stare’ them down as I made my way around the packed aisles.

I don’t have the opportunity to perform much in the theatrical arenas now that I sing primarily with The Rose Ensemble, so the chance to go all out with makeup, and push the character envelope was exhilarating.   She’s a force to be reckoned with, The Sorceress, and I’m thrilled I finally got to step into this role.

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Dido & Aeneas

May 5, 2010

The Meeting of Dido and Aeneas by Nathaniel Dance Holland (1735 - 1811)

The Meeting of Dido and Aeneas by Nathaniel Dance Holland (1735 – 1811)

Glorious Revolution Baroque presents this opera in an intimate setting at Studio Z in St. Paul, MN with David Douglass leading our esteemed instrumentalists.  Join us for one night only, Friday May 16th for an evening of delightful music by some of the Twin Cities most talented musicians.

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Contralto Repertoire

February 27, 2010

One of the most asked questions is about rep.  Where can I find music written for contralto and what do you recommend?

Here is a list of the most popular pieces composed for contraltos:

Arias – Opera & Oratorio:

  • Lullaby from the opera “The Consul” by Gian Carlo Menotti (English)
  • Voce di donna from the opera “La Giocando” by Amilcare Ponchielli (Italian)
  • Podrugi Milie from the opera “Queen of Spades” by Tchaikovsky (Russian)
  • Alone and Yet Alive from the opera “The Mikado” by Gilbert & Sullivan (English)
  • Stride la Vampa from the opera “Il Trovatore” by Verdi (Italian)
  • Thy Hand Belinda from the opera “Dido and Aeneas” by Purcell (English)
  • Va! Laisse couler mes larmes from the opera “Werther” by Massonet (French)
  • Scherza Infida from the opera “Ariodante” by Handel (Italian)
  • Parto, Parto from the opera “La Clemenza di Tito” by Mozart (Italian)
  • Gelido in ogni vena from the opera “Il Farnace” by Vivaldi (Italian)
  • Qui Sedes ad dextram Patris from the Vivaldi Gloria (Latin)
  • Qui Sedes ad dextram Patris from Bach mass in B minor (Latin)
  • Wie alles war (weiche, Wotan, weiche) from the opera “Das Rheingold” by Wagner (German)
  • Merknyet Svyet Dnevnoy (Konchakavna’s Cantiva) from the opera “Prince Igor” by Borodin (Russian)

Art Song: Read more

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Elgar: Cello Concerto & Sea Pictures; Jacqueline Du PreElgar: Cello Concerto & Sea Pictures; Jacqueline Du PreThis is rightly regarded as the finest recording of Elgar’s attractive and elegiac Cello Concerto. It’s held in almost irrationally high esteem in th… Read More >

reBlog from bobwaynesweblog.com: WIT AND HUMOR – A FUNNY SITE BY BOB WAYNE

February 14, 2010

English actress Lilian Braithwaite DBE (1873–1...
Image via Wikipedia

My husband and I had a wonderful opportunity last evening thanks to the generosity of one of our friends, who Bob has named “the Divine Deb L.”  He wrote so eliquently in his blog about the evening that I thought I would share this with you as well.  Enjoy! Read more

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Recent Review of Candlelight Concerts

February 10, 2010

A very nice review on our last concert of the season. Thanks to David Hawley of the St. Paul Pioneer Press who also acknowledged the fact that he could not stay for the 2nd half of the performance due to a deadline.

palestrina 254x300 Recent Review of Candlelight Concerts

Palestrina, composer

Legend has it that Palestrina, perhaps the most-recognized composer before Bach, dissuaded the 16th century Council of Trent from banning polyphony in church music by composing a six-voice Mass that was reverent and clear and — well, ethereal.

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Renaissance Polyphony in Grand Style

February 4, 2010

Voces 2010 300x200 Renaissance Polyphony in Grand Style

Voces8

Rose Ensemble 4   credit Michael Haug lowres 300x201 Renaissance Polyphony in Grand Style

The Rose Ensemble

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